Working primarily in sculpture, video, and installation, Josh Kline (b. Title: Special Session on New Research on Brazilian Art by the National Committee for the History of ArtĬhaired by: Edward Sullivan LEARN MORE about Special Session on New Research on Brazilian Art This exhibition is generously funded by the Institute for Studies on Latin American Art (ISLAA). Grilo/Fernández-Muro: 1962-1982 was organized by Andrea Carolina Zambrano, Damasia Lacroze, Emireth Herrera, and Juan Gabriel Ramírez Bolívar, and was made possible through the support of the Institute of Fine Arts, NYU, Cecilia de Torres Ltd. This exhibition is accompanied by a forthcoming panel discussion that includes a conversation with the participation of the artists’ grandson, Mateo Fernández-Muro, moderated by Professor Edward Sullivan. In addition to these paintings, the exhibition also includes an array of exhibition catalogues, publications, documentary photographs, and other rare archival materials. The show features a selection of abstract paintings which create an intimate dialogue between Fernández-Muro’s mimicry of urban and industrial patterns and Grilo’s morphological style. Opening February 12, 2019, the exhibition Grilo/Fernández-Muro: 1962-1984 seeks to map the influences and movements that inspired their artistic practices from the 1960s through the 1980s. Title: "Finding Space in Modernism: Considering the Graphic Arts of Elaine Lustig Cohen" Watch "Finding Space in Modernism" online LEARN MORE about the "Great Hall Exhibition"Īs part of the Duke House Exhibition Series, the Institute of Fine Arts is pleased to present the work of the Argentinian artists Sarah Grilo (1920-2007) and José Antonio Fernández-Muro (1920-2014). Georges Auric, Adieu New York, piano solo, 1920įrancis Poulenc, la petite servante, 1931 Germaine Albert-Birot, les mamelles de Tirésias, beginning, 1917įrancis Poulenc, les mamelles de Tiresias, beginning, 1947 Sylvie Robert, voice and Steve Beck, pianoĬhristian Morgenstern, calligramme la nuit les poisson, 1905Īrthur Honegger, Six Poemes d’Apollinaire, 1917 Welcome and Opening Remarks: Edward Sullivan, Deputy Director Helen Gould Shepard Professor of the History of Art at New York University, The Institute of Fine Arts Please join the Institute of Fine Arts with soprano Sylvie Robert and pianist Steve Beck in a recital celebrating the works of Guillaume Apollinaire. Title: Celebrating Apollinaire on the One Hundredth Anniversary of his Death LEARN MORE about "Other Feminisms: Four Indian Women Artists" The discussion will be moderated by Lan-ying Tseng, Institute for the Study of the Ancient World, NYU Michelle Wang, Department of Art and Art History, Georgetown University, will speak on architecture, sculpture, and materiality on the Silk Road. The talk centers around two case studies that themselves express this tension: the life of Saint Benedict and miracles involving water and fish. The talk highlights the ways in which this text harbors traces of an ecological understanding of sanctity and examines the translation of that understanding into the representational art of medieval Italy, primarily wall paintings, manuscript illuminations, and architectural sculpture. 604), one of the most widely distributed texts of the early Middle Ages. This talk explores the exchange between humans and nature in the sanctification of the Italian peninsula using as a heuristic the miracles presented in the Dialogues of Pope Gregory I (d. As recent research in history, literature, and art history has shown, ecological considerations were also very much present in representational strategies, sites, and materials. Processes of Christianization are typically understood through this latter anthropological lens: the arrival of holy persons, the teaching of Christian history and principles, the construction and embellishment of churches and related structures. On the other hand, specific locations were constituted as nodes of concentrated sanctity, primarily through human activities that summoned, witnessed, or were abetted by the divine. On the one hand, the natural world and all it contains were God’s creation in this sense divinity inhered within. Medieval Latin Christianity harbored at its core a paradox in terms of the presence of the sacred in the world.
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